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Crimson Black

Šifra Proizvoda: 10975

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639 €
579 €


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Crimson combines an audio interface with high-quality preamps and a fully-featured monitor controller. You can play and play back, record and convert, control and listen with one single device.

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So all you essentially need for a professional recording start-up is the Crimson and a DAW.

  • Max. six recording and six playback channels
  • 10 source connections, 20 monitoring channels
  • 34V operational voltage for pro levels up to +22dBu
  • 24Bit/192kHz converter
  • Two discrete mic preamplifiers
  • Two instrument preamplifiers (Hi-Z, +22dBu)
  • Two separate headphones amps
  • Connect and control two stereo speaker sets
  • Monitor mix from recording and DAW return paths
  • Individual artist monitoring signal, with talkback option
  • Hot-plugging iPad recording/monitoring (Class 2 compliance)
  • Hi-Speed USB 2.0 (480MBit/s), MIDI I/O, SPDIF I/O
  • WIN XP, Vista, 7, 8, 10 (32/64 Bit)
  • MAC OSX 10.6/higher, iOS 6/higher
  • HxWxD: 60x330x207 mm, 2.36"x13"x8.15"
  • Made in Germany

New Features of the 2nd Revision:

  • Monitoring of a digital input (SPDIF SOURCE) available in stand-alone mode (no DAW required)
  • Artist Mode can be disabled via dip switch, if SPK B is used for a second pair of speakers
  • Improved gain matching with new level range dip switch
  • Improved Mic Gain potentiometer range
  • Improved Mic inputs overvoltage protection
  • Longer illumination/Peak Hold of the -6dB LEDs
  • Longer illumination/Peak Hold of the MIDI LED

Crimson is designed to operate with your Digital Audio Workstation. But you can also do a lot with it as a stand-alone device: plug in an instrument and play. Connect a microphone and sing along.

Mix your own monitor signal with playback or guide tracks from any source – including your smartphone. What you are playing is not bad? Turn on the DAW and record it.

The Crimson leaps forward to set a new sound quality benchmark in its price range. With the Crimson you have a boutique device at a fraction of the price we used to know from traditional engineering and manufacturing.


Recording Channels

2 microphone inputs (XLR) 
2 Instrument inputs (TRS) 
4 balanced line inputs (TRS)
2 S/P-DIF 
Note: any 4 analog channels can be recorded simultaneously. Including S/P-DIF, six channels can be recorded simultaneously.


Playback Channels

4 channels via USB (DAW 1-4) 

Analog Inputs (Sources)

2 TRS line input channels (balanced) 
2 RCA line input channels (rear, unbalanced) 
1 mini jack stereo input (unbalanced) 

Digital Inputs

1 S/P-DIF stereo input (coax) 

Analog Outputs

Speakers A: 2 XLR sockets (L/R, balanced)
Speakers B: 2 TRS sockets (L/R, balanced, w. trimming)
2 headphone sockets (TRS)

Digital Outputs

1 S/P-DIF stereo output (coax)



  • USB 2 audio/MIDI system
  • High-performance, 32bit microcontroller 
  • 24bit audio processing 
  • 6 input and 4 output channels at 192kHz (6/6 at 96kHz)
  • Sample rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz or 192kHz
  • Fixed master clock for lowest jitter
  • True 1:1 audio, no sample rate conversion or clock recovery
  • S/P-DIF and MIDI I/Os
  • Selectable internal and external clock source or automatic detection


  • Windows XP/Vista/7/8/10 (32 and 64 bit) Mac OS X 10.6 or higher
  • Multi-application mode, simultaneous ASIO and/or WDM playback
  • Extremely low-latency Mac OS X (ASIO-like) HAL plug-in driver (1 ms)
  • Extremely low-latency Windows ASIO and WDM driver (1 ms)
  • Driver feedback synchronization to hardware clock
  • ASIO control panel for Windows and Mac
  • USB Audio Class 2.0 compliance (asynchronous mode)

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