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SOUND DEVICES 833 - Snimač

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Fully routable. Ultra-portable.

The 833 is the professional’s tool for mobile and small productions. Like the popular Sound Devices 633, the 833 is small, lightweight, and compact. A tactile interface with dedicated faders, trim knobs, and PFL switches makes this mixer-recorder ideal for run-and-gun bag use. 

The 833 has 6 mic/line preamplifiers, 8 channels, 12 tracks, 6 analog outputs, and ultra-accurate timecode. Upgrade with the +4 Plugin to add four fully-featured ISO channels/record tracks, increasing the 833 to 12 channels & 16 tracks. Many features have carried over from the premium Sound Devices’ Scorpio, such as Sound Devices’ new preamplifier design, 2 SD card slots, dual L-Mount battery charging and powering, and an internal 256 GB SSD. 

 

Analog Inputs
Frequency Response: 10 Hz to 80 kHz ± 0.5 dB (192 kHz sample rate, re 1 kHz)
THD + Noise: 0.005% max (mic in, 1 kHz, 22 Hz–22 kHz BW, trim at 20, fader at 0, -10 dBu in)
Equivalent Input Noise: -131 dBV (-129 dBu) max (mic in, A-weighting, 76 dB gain, 150 ohm source impedance)

Processing Engine
• Highly extensible, full FPGA-based audio processing, 3 FPGAs
• Six-way ARM multiprocessor system
• 64-bit audio processing precision

Inputs
Mic/Line inputs: 6 total, all fully featured; 3 on full-size XLR, 3 on TA3
Inputs:
• Mic-level inputs: (XLR, TA3): Class-A, discrete differential long-tail pair, 4k ohm input impedance
• Line-level inputs: (XLR, TA3,): active-balanced, 4k ohm input impedance
• 48 V phantom: full 10 mA to all 6 inputs simultaneously
• 8 Total analog inputs: 6 mic-line inputs, 2 on returns
• AES3 or AES42 available on XLR input 1
• AES42: +10 V, 250 mA available, mode-1, auto-ASRC
• USB Audio: 2 Inputs
• Aux (3.5 mm: unbalanced 2-channel, 4k ohm input impedance
• Com Rtn (TA3, 3.5 mm) balanced, 1-channel, 8k ohm input impedance
• External Slate Mic (TA5): balanced, 8k ohm input impedance, menu-selectable 12 V phantom
Maximum Input Level:
• Mic: +8 dBu (2.0 Vrms)
• Line: +28 dBu (19.5 Vrms)
• Aux: +18 dBu (6.2 Vrms)
• Com Rtn: +24 dBu (12.3 Vrms)
• External Slate Mic: +12 dBu (3.2 Vrms)

Buses
• 6 Buses (L, R, 1-4)
• Left and Right Mix Bus receives post-fade isolated channels. Optional NoiseAssist plugin instances can be applied to any bus. Buses 1-4 can receive pre-fade, post-fade, or independent send level from isolated channels, Return, and Com Return.

High-Pass Filters: Adjustable 10 Hz to 320 Hz, 18 dB/oct. 1st stage analog (before preamp), 2nd stage digital.

Limiters
• Limiters available at all channels, buses, headphones, for all sample rates
• Analog first stage, all subsequent stages digital
• Attack time: adjustable 1 to 200 ms
• Release time: adjustable, 50 ms to 1000 ms
• Threshold: adjustable, -2 dBFS to -12 dBFS
• Selectable ratio: inf:1, 20:1, 18:1, 16:1, 14:1, 12:1, 10:1
• Knee: soft, hard

Compressors
• Compressors available at all channels (pre or post-fade) and buses for all sample rates
• Attack time: adjustable, 1  to 200 ms
• Release time: adjustable, 50 ms to 1000 ms
• Threshold: adjustable, 0 dBFS to -40 dBFS
• Selectable ratio: adjustable, 1:1 to 20:1
• Knee: soft, hard

Delay:
• Channel Adjustable 0-50 ms
• 7Output Adjustable 0-500 ms

Maximum Gain
• Trim stage (mic input): 76 dB
• Trim stage (line input): 50 dB
• Fader stage: 16 dB
• Bus stage: 16 dB
• Headphone stage: 20 dB
• Mic-to-Line: 108 dB
• Mic-to-Headphone: 112 dB
• TA5 (along with mic input pins) for single connection to headset + mic High output, 4 ohm output impedance, 400 mW + 400 mW at each connector, all individually driven Compatible with headphones of any impedance

Outputs
Outputs:
• XLR (L, R) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
• TA3 (X1/X2) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
• 3.5 mm (X3/X4): unbalanced, stereo, 1.8k ohms
Maximum Output Level (all into 10k load):
• Line: +20 dBu (7.8 Vrms)
• “-10”: +6 dBu (1.5 Vrms)
• Mic: -20 dBu (0.078 Vrms)
• X3/X4 Out: +6 dBu (1.5 Vrms)
• Headphone outputs (¼”, TA-5): +14 dBu (4.0 Vrms)
Digital Outputs: AES3 transformer-balanced, in pairs; 1-2 (XLR-L), 3-4 (XLR-R), 110 ohm, 2 V p-p, AES and S/PDIF compatible

Headphone Outputs:
• ¼”, 3.5 mm
• TA5 (along with mic input pins) for single connection to headset + mic
• High output, 4 ohm output impedance, 400 mW + 400 mW at each connector, all individually driven
• Compatible with headphones of any impedance

Recording
A/D Converters:
• 32-bit, 120 dB, A-weighted dynamic range typical
• Sampling rates 44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz, 96 kHz, 192 kHz
Bit Depth: 16, 24, 32-bit float
Recording:
• Internal 256 GB SSD; two removable SD Cards, 10% over-provisioned for optimum performance
• Simultaneous recording to internal SSD and the two SD cards
• exFAT formatting
• 12 tracks (8 iso channels, 4 buses)
• Broadcast WAV monophonic and polyphonic file format
• 64-bit WAV (RF64) monophonic and polyphonic; support for files > 4 G
• AAC 2 track at 48 kHz, selectable bit rate 32, 64, 128, 192, 256 kbps

Automatic Mixing:
• Dugan Automixer up to 8 channels on Left and Right Mix bus
• MixAssist up to 8-channels on Left and Right Mix bus

Noise Suppression
• Via optional paid Sound Devices NoiseAssist or CEDAR sdnx Plugins 
• Two, four, or eight instances of Noise Suppression can run on any combination of isolated channels (excluding 17-32 on Scorpio), or buses.
• Attenuation range: 0-20 dB 
• NoiseAssist operates with sampling rates of 44.1 kHz to 48.048 kHz.
• CEDAR sdnx operates with sampling rates of 44.1 kHz to 96 kHz.
• NoiseAssist audio path latency: 0.77 ms @ 48kHz
• CEDAR sdnx audio path latency: 0.27 ms @ 48kHz, 0.14ms @ 96kHz

USB
• USB-C (USB 3.1 type 1) for file transfer of internal SSD, both SD Cards.
• USB-C 2-in/2-out USB audio interface
• HUSB-A host for keyboard, external controller, external USB hubs supported for connecting multiple devices.

Timecode and Sync
• Modes Supported: Off, Rec Run, Free Run, 24h Run, External, including External Auto-Record and Continuous modes.
• Frame Rates: 23.98*, 24, 25, 29.97 DF, 29.97 ND, 30 DF, 30 ND
• Sample/Timecode Accuracy: 0.1 ppm (0.25 frames per 24 hours)
• Timecode Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (–17 dBu – +3 dBu)
• Timecode Output: 75 ohm impedance, 5 V p-p (+7 dBu)
• Word Clock Input: 10k/75 ohm selectable impedance, 1-5 V p-p input sensitivity
• Word Clock Output: 75 ohm impedance, 5 V p-p output, at SR

Remote Control
• Sound Devices CL-12 Linear Fader Controller
• USB MIDI MCU Control  – supported 3rd party fader controllers
• SD-Remote Android Tablet app via USB or Bluetooth LE
• SD-Remote Android Phone app via Bluetooth LE
• SD-Remote iPad and iPhone app via Bluetooth LE
• USB Keyboard
• External Timecode Record Trigger

File Delivery to Cloud: Compatible with Viviana Cloud

LCD
• 320×240, Transflective, excellent sunlight visibility
• Larger touchscreen display available via USB-connected SD-Remote app

Power
External: 10-18 V input on locking TA4 connector, (pin 4 positive, pin 1 ground), supports Smart Battery telemetry
Dual rear-mount Sony-style L-mount batteries with chargers
Current Draw, at 12 V no battery charging:
• All mic preamps off: 730 mA
• All mic preamps on: 920 mA
• All mic preamps on, 192 kHz sample rate, recording to internal SSD and 2 SD Cards: 1.07 A
Intelligent power-down of unused mic preamps and other internal circuits

Environmental
• Operating: -20° C to 60° C, 0 to 90% relative humidity (non-condensing)
• Storage: -40° C to 85° C

Dimensions (H x W x D)
• 5.1 cm x 22 cm x 17 cm;
• 2.0 in. x 8.7 in. x 6.6 in

Weight
• 2.75 lbs (unpackaged, without batteries)
• 1.25 kg (unpackaged, without batteries)

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