LONG DISTANCE SPECIALIST The KMR 82 i is a shotgun microphone for longer distances, e.g. in ENG and stage applications. With an acceptance angle of 45° and minimal off-axis coloration the KMR 82 i can be used to record individual instruments in an orchestra without problems. The ...

The 604 from MXL is a small-diaphragm condenser microphone intended for spot capturing instruments as well as vocals. The 604 features the dynamic range necessary for accurate instrument capturing, a -10 dB switchable pad provides added hea...

PRISTINE DIALOGUE, UNCOLORED SOUND IN THE DIGITAL DOMAIN The KMR 81 D takes the well-established KMR 81 i shotgun microphone into the digital domain. It provides all of the features of its analog counterpart, which made it a favorite of sound engineers in movie and documentary produc...

PRISTINE DIALOGUE, UNCOLORED SOUND The KMR 81 i is a shotgun microphone for medium distances, e.g. for film dialogue with a clear and focused sound while the microphone is placed outside the picture. Off-axis coloration is minimized to avoid sound change when actors are moving. The K...

UNCOLORED, TRANSPARENT, VERSATILE The KM 183 is a state-of-the-art small diaphragm condenser microphone with a frequency-independent omnidirectional polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 183 a worldwide st...

Versatile cardioid microphone. Especially suited to applications in rooms with poor acoustics or when disturbing sounds impinge mainly from the rear. Balanced frequency response. Extremely low distortion.

The state-of-the-art MXL CR21 Pair of microphones record in vivid detail. Suited for drum overheads, acoustic instruments, and pianos; the pencil condensers are also a powerful option in tight situations. The CR21 mics sound clean, articulate, and full. With a fast transient response, the mics...

Super-cardioid microphone designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. Frequency-independent directional characteristics.

OUTPUT STAGE KM D / KM D NX The KM D digital output stage converts the signal from the capsule directly into a digital signal. The result is an AES/EBU signal with 24 bits and a large dynamic range. The integrated digital signal processor (DSP) permits remote control of the microphon...

OUTPUT STAGE KM A / KM A NX The KM A analog output stage with P48 phantom power has a switch for pre-attenuation of 10 dB. The microphones can thus handle levels of up to 152 dB (depending on the capsule type).

MAXIMUM FLEXIBILITY IN THE ANALOG AND DIGITAL DOMAINS The combination of the capsule KK 133 with the output stage KM D is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

Small-diaphragm modeling mic featuring a similar linear and flat frequency response of its larger sibling the ML-1

Designed with professional and working musicians in mind, the MXL 603 PAIR Instrument Microphones deliver the natural acoustic properties you need for overhead drums, piano, string instruments, and more. Sharing characteristics of European and Japanese imports at a fraction of the price, a tra...

UNCOLORED, TRANSPARENT, VERSATILE The KM 185 is a state-of-the-art small diaphragm condenser microphone with a tight, frequency-independent hypercardioid polar pattern. Its very natural, transparent sound with low self-noise and high SPL capability have made the KM 185 a worldwide st...