UNCOLORED, TRANSPARENT, VERSATILE The KM 183 is a state-of-the-art small diaphragm condenser microphone with a frequency-independent omnidirectional polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 183 a worldwide st...

UNCOLORED, TRANSPARENT, VERSATILE The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide ...

UNCOLORED, TRANSPARENT, VERSATILE The KM 185 is a state-of-the-art small diaphragm condenser microphone with a tight, frequency-independent hypercardioid polar pattern. Its very natural, transparent sound with low self-noise and high SPL capability have made the KM 185 a worldwide st...

MAXIMUM FLEXIBILITY IN THE ANALOG AND DIGITAL DOMAINS The combination of the capsule KK 133 with the output stage KM D is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

OUTPUT STAGE KM A / KM A NX The KM A analog output stage with P48 phantom power has a switch for pre-attenuation of 10 dB. The microphones can thus handle levels of up to 152 dB (depending on the capsule type).

OUTPUT STAGE KM D / KM D NX The KM D digital output stage converts the signal from the capsule directly into a digital signal. The result is an AES/EBU signal with 24 bits and a large dynamic range. The integrated digital signal processor (DSP) permits remote control of the microphon...

PRISTINE DIALOGUE, UNCOLORED SOUND The KMR 81 i is a shotgun microphone for medium distances, e.g. for film dialogue with a clear and focused sound while the microphone is placed outside the picture. Off-axis coloration is minimized to avoid sound change when actors are moving. The K...

PRISTINE DIALOGUE, UNCOLORED SOUND IN THE DIGITAL DOMAIN The KMR 81 D takes the well-established KMR 81 i shotgun microphone into the digital domain. It provides all of the features of its analog counterpart, which made it a favorite of sound engineers in movie and documentary produc...

LONG DISTANCE SPECIALIST The KMR 82 i is a shotgun microphone for longer distances, e.g. in ENG and stage applications. With an acceptance angle of 45° and minimal off-axis coloration the KMR 82 i can be used to record individual instruments in an orchestra without problems. The ...