Featuring an easily adjustable gooseneck, secure mounting bracket and a specially engineered dual-screen design, the TASCAM TM-AG1 Pop Filter will help you tame event the most explosive plosives. A pop filter to effectively reduce vocal plosives using a dual layer nylon screen and side air duc...

Waldorf PPG Wave 3.V is the reincarnation of the legendary PPG Wave Synthesizer, which no doubt is considered one of the most respected high-end synthesizers of the 80s. Developed by Wolfgang Palm, this instrument is featured on countless records, and it inspired a whole generation of producers, ...

Many producers and synthesizer enthusiasts asked for a full-blown Waldorf Synthesizer for their virtual rack. We listened, and now we proudly present Largo. Largo is the first pure software synthesizer with Waldorf DNA. And again – it is the cutting edge sound that makes the big difference.

The Auto-Tune Pre combines an ART tube preamp channel with integrated Antares Auto-Tune® processing in a compact accessible package ideal for studio or stage. Now live artists can easily add high quality Antares pitch processing without the complexity and cost of an external computer and s...

Small diaphragm electret-condenser microphone.

The PodMic is a broadcast-quality dynamic microphone optimised for podcasting. It has a rich, balanced sound, with an internal pop filter to minimise plosives and internal shockmounting to reduce vibration. The PodMic is optimised for use with the RØDECaster™ Pro Podcast Pr...

The SoundField by RØDE NT-SF1 is a peerless ambisonic microphone that captures broadcast quality 360° surround sound (with height) in A-Format™ on four separate tracks. It is the first collaboration between the pioneering ambisonic brand SoundField (which invented the first co...

The new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise.

  DUAL-FORCE™ SUBWOOFER TO ACCOMPANY ALL BAREFOOT MONITORS The LFE15 Subwoofer by Barefoot Sound – your ultimate solution for immersive audio. Designed for low-frequency effects channels, the LFE15 features our powerful Dual-Force&trade...

At first glance of the NTR you’re aware that it’s very special and unique – an intricate blend of art and science.

  Your Gateway to Professional Sound.Zenith 2 is here to shrink the gap between multi-million dollar rooms and your bedroom. Unlock AD/DA conversion you can trust and ultra-clean Discrete preamps that capture every detail wit...

  The Discrete 8 Oryx brings our latest innovations into a powerful, affordable studio hub for producers, engineers, and bands. Built for multi-instrument recording and hybrid workflows, it combines pristine conversion and clocking, console-grade preamps, real-time FX proc...

LONG DISTANCE SPECIALIST The KMR 82 i is a shotgun microphone for longer distances, e.g. in ENG and stage applications. With an acceptance angle of 45° and minimal off-axis coloration the KMR 82 i can be used to record individual instruments in an orchestra without problems. The ...

PRISTINE DIALOGUE, UNCOLORED SOUND IN THE DIGITAL DOMAIN The KMR 81 D takes the well-established KMR 81 i shotgun microphone into the digital domain. It provides all of the features of its analog counterpart, which made it a favorite of sound engineers in movie and documentary produc...

PRISTINE DIALOGUE, UNCOLORED SOUND The KMR 81 i is a shotgun microphone for medium distances, e.g. for film dialogue with a clear and focused sound while the microphone is placed outside the picture. Off-axis coloration is minimized to avoid sound change when actors are moving. The K...

OUTPUT STAGE KM D / KM D NX The KM D digital output stage converts the signal from the capsule directly into a digital signal. The result is an AES/EBU signal with 24 bits and a large dynamic range. The integrated digital signal processor (DSP) permits remote control of the microphon...

16075 Headphones table stand

OUTPUT STAGE KM A / KM A NX The KM A analog output stage with P48 phantom power has a switch for pre-attenuation of 10 dB. The microphones can thus handle levels of up to 152 dB (depending on the capsule type).

  Thunderbolt™ 4 / USB4 audio interface with DSP, mixing, effects and networking The MOTU 10pre is an advanced Thunderbolt 4 / USB4 audio interface, offering exceptional sound quality, flexible connectivity, and cutting-edge network expansion...

The RØDE K2 is a premium valve condenser microphone featuring dual 1” gold sputtered diaphragms. Infinitely variable control of the polar pattern from omnidirectional through cardioid and bidirectional/figure-8 provides the freedom and flexibility to excel in any recording situati...